Generally, transcoding recorded media to formats that are ready for editing or archiving, is costly, as well as time consuming. In addition, during the re-encoding process, media can incur generational loss which creates potentially unacceptable quality problems downstream.
Facebook Twitter LinkedIn In December 2021, Cinedeck’s Capture2Cloud played a role in an investigation into how to produce live content with a reduced carbon footprint, with a live English Premier…
Share on facebook Facebook Share on twitter Twitter Share on linkedin LinkedIn Just over two years ago, the COVID-19 Pandemic took hold of the world. Since then, so much has…
Facebook Twitter LinkedIn Events of the past few years have taught broadcast and media companies that flexible and agile working is an absolute necessity for business success and longevity in…
May 11 ~ 12, Olympia London Win a year of Cinedeck! Register to win a 1 year license of cineXtools or CD2 Ingest software. Your choice!Coming off the whirlwind of…
Facebook Twitter LinkedIn Sourcing key electronic components like microprocessors, semi-conductors and power devices continues to be an issue for vendors across the video industry. These supply chain problems seem to…
Share on facebook Facebook Share on twitter Twitter Share on linkedin LinkedIn The 2022 NAB Show is just around the corner. And this year? It’s IN-PERSON at the Las Vegas…
Share on facebook Facebook Share on twitter Twitter Share on linkedin LinkedIn The transition of video workflows to the cloud is not new, but it has certainly been significantly accelerated…
Best of Show Cinedeck wins Best of Show for the prestigious TV Technology Awards for CD2 It's truly an honor to win the TV Technology Best of Show award for…
Managing broadcast production has been a longstanding logistical challenge within media. Post-production is no exception within the process; with reams of data and large teams, post-production businesses are navigating infrastructural challenges when building workflows and relying heavily on data management.
Join Cinedeck for an in-depth discussion with production specialists from QSR Systems and Vista Studios for an upcoming webinar exploring all you need to know to make remote production and post a success.
Share on facebook Facebook Share on twitter Twitter Share on linkedin LinkedIn New York, USA, 31 January 2022 Cinedeck has launched CD2, a software-only version of its ingest servers. CD2 shares…
Check out the podcast: Chesa Workflow Show Podcast Share on facebook Facebook Share on twitter Twitter Share on linkedin LinkedIn The challenges of multi-site remote workflows in the cloudThe idea…
Share on facebook Facebook Share on twitter Twitter Share on linkedin LinkedIn There has been an uptake of cloud-based production services and tools in the last two years. Production companies…
Watch the Webinar Share on facebook Facebook Share on twitter Twitter Share on linkedin LinkedIn Streamlined Remote Ingest and Collaborative Editing in the CloudOn 11th November we will be joining…
Share on facebook Facebook Share on twitter Twitter Share on linkedin LinkedIn Broadcasters are increasingly looking to multicam production to deliver exciting footage that immerses viewers in the action. However,…
Facebook Twitter LinkedIn BattleBots® is the premiere robotic combat competition in the world, offering an exciting reality television program that has captured the attention of a fanbase that spans the…
The ability to record direct to the cloud is one area we think has already begun revolutionizing remote production and that shift will only accelerate further over the coming months.
In March we introduced Cinedeck 2.0 as a public beta. Since then, we've received feedback from our users to make Cinedeck 2.0 our most exciting software release ever. If you're a…
Cinedeck's 2.0 UI lets you record ingest points both on premise and in AWS cloud using one user interface to control and group the various ingest points. Let's say you have…
Ingest Workflow Comparisons by Cinedeck Learn More! Read "A Guide to Choosing a Video Capture Solution"
Share on facebook Facebook Share on twitter Twitter Share on linkedin LinkedIn Cinedeck's new user interface features a highly customizable user experience that prioritizes ease of use. Shipping as part…
What's in store for Cinedeck for 2021? Jane Sung, Cinedeck COO, tells us more.
How to Find the Right Video Capture System You've selected your cameras, switchers and planned your staging. Now, you'll need to select an ingest solution to capture your video production.…
Playing back a file while it's being exported from a timeline is still an important workflow for many broadcasters. For XDCAM Op1A MXF files from both Adobe Premiere and Avid Media…
Insert Edit Vs. Re-Export If you're wondering what cineXtools can do for you, check out this quick infographic on just the the basic feature, insert edit. You can save hours…
Cinedeck's latest offerings for interoperability and I/O support let you create incredibly flexible workflows for tomorrow's multi-cam and studio record environments. Cinedeck's unrestricted Restful API not only allow simple integration…
As the successor to the ZX45, ZX85 adds IP capabilities and greater HFR and 4K record capabilities. Check out the video below for a quick look at our new all…
Cinedeck Multicam Delivers Post-Production Workflow Flexibility and EfficiencyAs a general rule, there is a direct correlation between the number of cameras in production and the complexity in the project workflow.…
Working with Cinedeck’s blacked file for delivery versioning during post finishing While there are many applications for Cinedeck’s File-based Insert Edit, perhaps the most beneficial is in the post finishing process,…
Pause and Seek ModeCinedeck’s “Pause & Seek” mode is the closest to what many know from tape as assemble recording or assemble editing, with the unique addition that with Pause…
New York – Yankee Stadium, July 7th & 8th, 2016 – Cinedecks were used to record a high profile concert for a multi-cam UHD production planned for distribution later in…
From Reality to Music and Drama, more and more multi-cam shows are being finished in post but the ever-increasing numbers of record channels and the need for fast workflows makes…