In this article, we will explore the capabilities of IP-based remote production, the components that drive it, the associated advantages and challenges, and the future of this technology in the broadcasting industry.
Facebook Twitter LinkedIn Video codecs are an essential part of our lives whether we recognize it or not. They are responsible for compressing video data so that it can be…
Facebook Twitter LinkedIn The world of sports broadcasting is evolving rapidly, and in recent years, esports production techniques have played a major role in shaping this evolution. As traditional sports…
In today's fast-paced digital world, video content has become the go-to medium for communication, entertainment, and education. However, poor video quality can ruin the viewing experience and impact the message being conveyed. That's where video quality control comes into play. This comprehensive guide will help you understand the importance of video quality control, the factors affecting video quality, video quality metrics, video compression techniques, and video quality control tools and software.
In this article, we explore the significance of virtual production in filmmaking and television production, highlighting its potential benefits, the challenges it poses, and its eventual impact on the industry.
In today's digital age, the management of video assets has become a crucial aspect of modern business. With the increasing demand for video content across various platforms, managing video assets efficiently has become more important than ever. One essential tool that ensures efficient video asset management is metadata management.
When people think of the cloud, they often think of it as a data storage solution or a platform for sharing files. However, the reality is that the cloud offers much more than just basic storage and sharing capabilities. For the Media and Entertainment industry (M&E), the cloud represents an ‘infrastructure as a service’ that can be tailored to meet specific needs and requirements.
When people think of the cloud, they often think of it as a data storage solution or a platform for sharing files. However, the reality is that the cloud offers much more than just basic storage and sharing capabilities. For the Media and Entertainment industry (M&E), the cloud represents an ‘infrastructure as a service’ that can be tailored to meet specific needs and requirements.
When people think of the cloud, they often think of it as a data storage solution or a platform for sharing files. However, the reality is that the cloud offers much more than just basic storage and sharing capabilities. For the Media and Entertainment industry (M&E), the cloud represents an ‘infrastructure as a service’ that can be tailored to meet specific needs and requirements.
When people think of the cloud, they often think of it as a data storage solution or a platform for sharing files. However, the reality is that the cloud offers much more than just basic storage and sharing capabilities. For the Media and Entertainment industry (M&E), the cloud represents an ‘infrastructure as a service’ that can be tailored to meet specific needs and requirements.
When people think of the cloud, they often think of it as a data storage solution or a platform for sharing files. However, the reality is that the cloud offers much more than just basic storage and sharing capabilities. For the Media and Entertainment industry (M&E), the cloud represents an ‘infrastructure as a service’ that can be tailored to meet specific needs and requirements.
Facebook Twitter LinkedIn Here are just some of the questions that was asked last week on our live chat sessions during ISE:Q: We work with DNx and ProRes files. Is…
As more live production teams transition to virtualized and cloud-based workflows, streamlined processes are becoming even more essential. With teams distributed over a global footprint, ensuring consistency is maintained across…
Managing ingest of footage produced by a multicam production can be an intensive process, especially as many production teams now shoot in demanding high resolutions, such as 4K and increasingly even 8K. This means ingest workflows need to be robust enough to process what could potentially total thousands of hours of high-quality footage. With all these media assets coming from multiple ISO camera inputs, it’s important to make sure ingest workflows are as efficient as possible.
Generally, transcoding recorded media to formats that are ready for editing or archiving, is costly, as well as time consuming. In addition, during the re-encoding process, media can incur generational loss which creates potentially unacceptable quality problems downstream.
Facebook Twitter LinkedIn In December 2021, Cinedeck’s Capture2Cloud played a role in an investigation into how to produce live content with a reduced carbon footprint, with a live English Premier…
Share on facebook Facebook Share on twitter Twitter Share on linkedin LinkedIn Just over two years ago, the COVID-19 Pandemic took hold of the world. Since then, so much has…
Facebook Twitter LinkedIn Events of the past few years have taught broadcast and media companies that flexible and agile working is an absolute necessity for business success and longevity in…
May 11 ~ 12, Olympia London Win a year of Cinedeck! Register to win a 1 year license of cineXtools or CD2 Ingest software. Your choice!Coming off the whirlwind of…
Facebook Twitter LinkedIn Sourcing key electronic components like microprocessors, semi-conductors and power devices continues to be an issue for vendors across the video industry. These supply chain problems seem to…
Share on facebook Facebook Share on twitter Twitter Share on linkedin LinkedIn The 2022 NAB Show is just around the corner. And this year? It’s IN-PERSON at the Las Vegas…
Share on facebook Facebook Share on twitter Twitter Share on linkedin LinkedIn The transition of video workflows to the cloud is not new, but it has certainly been significantly accelerated…
Best of Show Cinedeck wins Best of Show for the prestigious TV Technology Awards for CD2 It's truly an honor to win the TV Technology Best of Show award for…
Managing broadcast production has been a longstanding logistical challenge within media. Post-production is no exception within the process; with reams of data and large teams, post-production businesses are navigating infrastructural challenges when building workflows and relying heavily on data management.
Join Cinedeck for an in-depth discussion with production specialists from QSR Systems and Vista Studios for an upcoming webinar exploring all you need to know to make remote production and post a success.
Share on facebook Facebook Share on twitter Twitter Share on linkedin LinkedIn New York, USA, 31 January 2022 Cinedeck has launched CD2, a software-only version of its ingest servers. CD2 shares…
Check out the podcast: Chesa Workflow Show Podcast Share on facebook Facebook Share on twitter Twitter Share on linkedin LinkedIn The challenges of multi-site remote workflows in the cloudThe idea…
Share on facebook Facebook Share on twitter Twitter Share on linkedin LinkedIn There has been an uptake of cloud-based production services and tools in the last two years. Production companies…
Watch the Webinar Share on facebook Facebook Share on twitter Twitter Share on linkedin LinkedIn Streamlined Remote Ingest and Collaborative Editing in the CloudOn 11th November we will be joining…
Share on facebook Facebook Share on twitter Twitter Share on linkedin LinkedIn Broadcasters are increasingly looking to multicam production to deliver exciting footage that immerses viewers in the action. However,…
Facebook Twitter LinkedIn BattleBots® is the premiere robotic combat competition in the world, offering an exciting reality television program that has captured the attention of a fanbase that spans the…
The ability to record direct to the cloud is one area we think has already begun revolutionizing remote production and that shift will only accelerate further over the coming months.
In March we introduced Cinedeck 2.0 as a public beta. Since then, we've received feedback from our users to make Cinedeck 2.0 our most exciting software release ever. If you're a…
Cinedeck's 2.0 UI lets you record ingest points both on premise and in AWS cloud using one user interface to control and group the various ingest points. Let's say you have…
Ingest Workflow Comparisons by Cinedeck Learn More! Read "A Guide to Choosing a Video Capture Solution"
Share on facebook Facebook Share on twitter Twitter Share on linkedin LinkedIn Cinedeck's new user interface features a highly customizable user experience that prioritizes ease of use. Shipping as part…
What's in store for Cinedeck for 2021? Jane Sung, Cinedeck COO, tells us more.
How to Find the Right Video Capture System You've selected your cameras, switchers and planned your staging. Now, you'll need to select an ingest solution to capture your video production.…
Playing back a file while it's being exported from a timeline is still an important workflow for many broadcasters. For XDCAM Op1A MXF files from both Adobe Premiere and Avid Media…
Insert Edit Vs. Re-Export If you're wondering what cineXtools can do for you, check out this quick infographic on just the the basic feature, insert edit. You can save hours…