When people think of the cloud, they often think of it as a data storage solution or a platform for sharing files. However, the reality is that the cloud offers much more than just basic storage and sharing capabilities. For the Media and Entertainment industry (M&E), the cloud represents an ‘infrastructure as a service’ that can be tailored to meet specific needs and requirements.

When people think of the cloud, they often think of it as a data storage solution or a platform for sharing files. However, the reality is that the cloud offers much more than just basic storage and sharing capabilities. For the Media and Entertainment industry (M&E), the cloud represents an ‘infrastructure as a service’ that can be tailored to meet specific needs and requirements.

When people think of the cloud, they often think of it as a data storage solution or a platform for sharing files. However, the reality is that the cloud offers much more than just basic storage and sharing capabilities. For the Media and Entertainment industry (M&E), the cloud represents an ‘infrastructure as a service’ that can be tailored to meet specific needs and requirements.

Facebook Twitter LinkedIn Here are just some of the questions that was asked last week on our live chat sessions during ISE:Q: We work with DNx and ProRes files. Is…

As more live production teams transition to virtualized and cloud-based workflows, streamlined processes are becoming even more essential. With teams distributed over a global footprint, ensuring consistency is maintained across…

Managing ingest of footage produced by a multicam production can be an intensive process, especially as many production teams now shoot in demanding high resolutions, such as 4K and increasingly even 8K. This means ingest workflows need to be robust enough to process what could potentially total thousands of hours of high-quality footage. With all these media assets coming from multiple ISO camera inputs, it’s important to make sure ingest workflows are as efficient as possible.

Generally, transcoding recorded media to formats that are ready for editing or archiving, is costly, as well as time consuming. In addition, during the re-encoding process, media can incur generational loss which creates potentially unacceptable quality problems downstream.

Facebook Twitter LinkedIn In December 2021, Cinedeck’s Capture2Cloud played a role in an investigation into how to produce live content with a reduced carbon footprint, with a live English Premier…

Share on facebook Facebook Share on twitter Twitter Share on linkedin LinkedIn Just over two years ago, the COVID-19 Pandemic took hold of the world. Since then, so much has…

Facebook Twitter LinkedIn Events of the past few years have taught broadcast and media companies that flexible and agile working is an absolute necessity for business success and longevity in…

Facebook Twitter LinkedIn Sourcing key electronic components like microprocessors, semi-conductors and power devices continues to be an issue for vendors across the video industry.  These supply chain problems seem to…

Share on facebook Facebook Share on twitter Twitter Share on linkedin LinkedIn The transition of video workflows to the cloud is not new, but it has certainly been significantly accelerated…

Share on facebook Facebook Share on twitter Twitter Share on linkedin LinkedIn There has been an uptake of cloud-based production services and tools in the last two years. Production companies…

Share on facebook Facebook Share on twitter Twitter Share on linkedin LinkedIn Broadcasters are increasingly looking to multicam production to deliver exciting footage that immerses viewers in the action. However,…

The ability to record direct to the cloud is one area we think has already begun revolutionizing remote production and that shift will only accelerate further over the coming months.

In March we introduced Cinedeck 2.0 as a public beta. Since then, we've received feedback from our users to make Cinedeck 2.0 our most exciting software release ever. If you're a…

Cinedeck's 2.0 UI lets you record ingest points both on premise and in AWS cloud using one user interface to control and group the various ingest points. Let's say you have…

Share on facebook Facebook Share on twitter Twitter Share on linkedin LinkedIn Cinedeck's new user interface features a highly customizable user experience that prioritizes ease of use. Shipping as part…

Playing back a file while it's being exported from a timeline is still an important workflow for many broadcasters. For XDCAM Op1A MXF files from both Adobe Premiere and Avid Media…

Insert Edit Vs. Re-Export If you're wondering what cineXtools can do for you, check out this quick infographic on just the the basic feature, insert edit. You can save hours…

Cinedeck's latest offerings for interoperability and I/O support let you create incredibly flexible workflows for tomorrow's multi-cam and studio record environments. Cinedeck's unrestricted Restful API not only allow simple integration…

Pause and Seek ModeCinedeck’s “Pause & Seek” mode is the closest to what many know from tape as assemble recording or assemble editing, with the unique addition that with Pause…

New York – Yankee Stadium, July 7th & 8th, 2016 – Cinedecks were used to record a high profile concert for a multi-cam UHD production planned for distribution later in…

From Reality to Music and Drama, more and more multi-cam shows are being finished in post but the ever-increasing numbers of record channels and the need for fast workflows makes…